I am a little behind... just getting around to reading Ron's latest blog update:
"How were you able to deal with ramping up to more episodes per season? I recall hearing that HBO's "The Wire" even had to take breaks to ease new writers into the fold. BSG has a different model, with ads and other pressures... Maybe we will we see more character studies, which are more contained within themselves?"
We did take a month long break in between eps 10 & 11 in order to catch up on scripts. Doing 20 instead of 13 makes a big difference in terms of stamina and quality control. When you're concentrating on 13, you can essentially make each of them special and each of them gets a lot of attention. With 20, you're spreading yourself out more and trying to keep more balls in the air at once. I won't say that's the only reason why we had a couple of shows that I wasn't happy with this season, but I'd be lying if I said it wasn't a contributing factor.
If anything, you can tell that the writing process is fairly fluid... often working backwards from a cool moment into justifications that would allow the moment to take place. Not a bad thing, just something to keep in mind as we contemplate the significance of certain moments in the show.
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